Archive for the ‘People’ Category

The Seductiveness of Paper

Thursday, July 26th, 2012

When I read Raymond H. Clary’s two fine books entitled “The Making of Golden Gate Park,” (the first covering up to 1906, the second to 1950), I couldn’t help but seethe along with Mr. Clary over the continuing depredations to what San Francisco used to call “its most precious possession.” Dreaded philanthropists have always plagued the park with “gifts” in the form of buildings and monuments and museums and clubhouses (and now artificial turf soccer fields), replacing as much quiet nature as they can. Clary fantasized about having the power to remove every structure: “If one could do that, there would still be a woodland park. But if one were to remove every tree, shrub, blade of grass and body of water, it would be a desolate place, even with the highly touted ‘culture centers’ that now disgrace Golden Gate Park.” (This was in 1987. Thankfully, Mr. Clary didn’t have to see the new de Young Museum go up.)

San Francisco Bulletins from the 1890s

San Francisco Bulletins from the 1890s

When I read Nicholson Baker’s book “Double Fold” in 2001, a similarly righteous anger and energy spark inside me. Mr. Baker, a novelist, detailed in the book how libraries “modernized” (and saved shelf space) by microfilming and then destroying original copies of books and historical newspapers. The colorful artwork of the New York World’s Sunday supplements were reduced to fuzzy black and gray on microfilm reels, while the originals were pulped or sold to be cut up by dealers of “What the front page was on your birthday” curios. David Gates, in a New York Times review, had similar feelings as me in reading the book: “I’d repeatedly scrawled ‘Whew!,’ ‘Yikes!’ and ‘Jesus!’ in the margins, sometimes two and three times a page.” Baker went so far as to purchase tons of bound newspapers when the British Library put them up for sale, having to rent a warehouse in New Hampshire for $26,000 a month to store them. (Finally, Duke University took them off his hands.)

Cover of "The World on Sunday" by Nicholson Baker and Margaret Brentano

Cover of "The World on Sunday" by Nicholson Baker and Margaret Brentano



So when I was at the San Francisco History Expo in March of this year I was jarred and delighted to see my good friends Ron Filion and Pamela Storm had on display a bound set of the San Francisco Call from the 1890s. The couple told me they had not just the one bound book of old newsprint—which was an impressive thirty inches long by twenty-three inches wide by two inches deep—but twenty-two equally massive volumes back at home, salvaged from a culling at the San Francisco Public Library years before.

San Francisco Call, September 1899

San Francisco Call, September 1899


There’s great wonder in seeing original versions of these old newspapers, having the tactile experience of feeling and seeing paper, of being able to easily turn and riffle through an edition, scan quickly over a page to pick out items, drink in the color washes on Sunday art pages. I found an 1899 article I had used in writing my book on Carville-by-the-Sea, but instead of the murky shades that I had viewed on microfilm—almost unidentifiable as illustrations—now I could see real photographs and pick out specific houses.

Carville photograph from 1899 SF Call article

Carville photograph from 1899 SF Call article


Ron and Pamela, who have over the years created one of the region’s great genealogy sites at sfgenealogy.com, obviously felt the same way about these old marvels as I did. Seeing my enthusiasm, they asked if the Western Neighborhoods Project would be interested in being the new caretakers of these ephemeral beauties. The collection took up a lot of space in their home, and both were willing to let it go to new guardians.

Nicholson Baker had been one of my heroes, and if he could take on several thousand volumes, we could take twenty-three. As I try to write grant applications, plan the next member walk, update our Facebook page, and transition our nonprofit’s government-assigned DUNS number to a new online system (don’t ask), the dusty tomes tempt me daily to immerse myself in the news of San Francisco from the nineteenth century. It requires clearing off a lot of desk space to open one pulpy volume of the Call or the San Francisco Bulletin (which has fewer graphics, but is much more manageable in size.)

They do take up a lot of room, fill the air with dust when browsed, need extremely delicate handling (book repair classes in my future?), and are perhaps fairly useless as other copies are digitized in full resolution for the Web (browse and search the Call up to the 1910s on the Library of Congress site). But they are such a great delight.

Our great thanks to Ron and Pamela for their generosity, and to everyone else out there who still loves paper.

Amazing Historical Tribute to John McLaren Discovered

Monday, February 6th, 2012

Western Neighborhoods Project board member Jamie O’Keefe came by the office the other day with an amazing piece of San Francisco history, a large framed artwork commemorating a party for long-time San Francisco Parks Superintendent (and recognized father of Golden Gate Park), John McLaren, given by the Bohemian Club on March 14, 1935. Created on illustration board, it measures about 3 by 4 feet and is signed by dozens of club members, John McLaren included, and features original artwork by Jo Mora.

A Bohemian Tribute to John McLaren

A Bohemian Tribute to John McLaren

Jamie came across it a few months back in the basement of an antiques store in Nevada City and could not believe her eyes. The signatures are a veritable who’s who of San Francisco artists, photographers, architects, businessmen and politicians of the early 1930s, including Mayor Angelo Rossi, photographer Gabriel Moulin, Marshall Hale, Herbert Fleishhacker, architect Timothy Pflueger and a host of googleable names. Many of these Bohemian Club artists had a part in designing and building the Golden Gate International Exhibition on Treasure Island in 1939.

 

The real prize of the piece is the original artwork by Jo Mora, renowned California artist and Illustrator. The banner is a tribute to McLaren’s work turning over 1,000 acres of rolling sand dunes into the Golden Gate Park we know today (or that we knew in 1934). A likeness of McLaren is flanked by two views of Golden Gate Park (sand dunes and a forlorn squirrel on the left, a bright flowerbed on the right). McLaren’s Scottish heritage is acknowledged with a thistle alongside a California poppy, and a line of dancing owls (a Bohemian Club animal motif) in kilts.
 

Jo Mora Artwork

Jo Mora Artwork

 

Stored in a dank basement, the piece has some water damage, but thanks to Jamie and her excellent eye for history, it will survive. Jamie is a member of the Western Neighborhoods Project’s board of directors, works closely with The Guardians of the City organization, and is one of the prime organizers of Jimmy’s Old Car Picnic.  Her plan is to get it reframed, restored, and to research all the names. Hopefully, at some point, we’ll get her to let us display it to the public somewhere.

Jamie O'Keefe

WNP board member Jamie O'Keefe

Wild Men of Sutro Forest

Saturday, December 18th, 2010

Ishi's house in Sutro Forest

Ishi, the famous Native American who was studied at UCSF in the 1910s, was a lot more civilized than some of the crazy folks that ventured through Sutro Forest at the time:

Wild Man Loose in Sutro Forest

(San Francisco Call, November 18, 1913)

Armed with a loaded revolver, a wild man is creating a reign of terror in Sutro Forest, and several people have reported to the police that the man had shot at them after they had passed him.

According to several employees of the city and county hospital, the wild man arrived in the forest three days ago.

He is said to be about 45 years of age and carries a gripsack over his shoulder. Policeman Pidgeon of the park station has been conducting a search for the man for two days, but has been unable to locate him.

And then…

“Wild Man” Wanders from Sutro Forest

(San Francisco Bulletin, May 4, 1918)

A “wild man,” very much to the Hoover on garments, is in a hospital today trying to get over his “wildness.”

Policeman Ben Bohle saw him on Sunnyside avenue [today's Monterey Boulevard] yesterday and gave chase, overtaking his quarry four blocks down the avenue, near Forester street.

Bohle borrowed some sacks and a horse blanket and made his captive presentable for the ride to Mission Emergency Hospital. At the hospital the captive gave his name as Frederick Catsworth, his age as 42, his address Sutro Forest and his occupation “wild man.”

Willie Mays Can’t Buy a House

Tuesday, November 16th, 2010

One of the earliest and most popular articles we had on the WNP Web site was about the struggles San Francisco Giant great Willie Mays had purchasing a house in this famously liberal city when the team moved west from New York. A black man, even a famous, rich one, wasn’t welcome as a neighbor in certain streets.

Streetwise – Willie Mays on Miraloma Drive

Now Alex Cherian, archivist at San Francisco State’s SF Bay Area TV Archive has made us aware of a 1957 interview with Mr. Mays about the well-publicized issue:

http://diva.sfsu.edu/collections/sfbatv/bundles/190680

Amazing, isn’t it?

Thanks to Mr. Cherian and the archive for posting this.

Who is Harold Stoner?

Thursday, April 29th, 2010

Those who read the San Francisco Chronicle may have seen (in the April 25 edition) the admiration that architecture/design columnist John King has for the rocket-ship medical building in Lakeside Village. That building was designed by Harold G. Stoner, who was the architect for a great many of the residences in the Lakeside neighborhood.

Thanks to the new book by WNP member Jacqueline Proctor, Bay Area Beauty—The Artistry of Harold G. Stoner, Architect, I find that the English-born Stoner was the visionary behind many west SF landmark buildings. The 1930s “Tropic Beach” facade of the Sutro Baths, the Stone House in Forest Hill, and many head-turning, fairy-tale cottages in Balboa Terrace. Stoner was even responsible for the Sally Rand Nude Ranch on Treasure Island’s Golden Gate International Exposition in 1930-1940.

I think we’ve talked Ms. Proctor into writing us a piece on Stoner for the July WNP member newsletter, but I recommend her book to those with an interest in the beautiful, fascinating, and unusual architecture that can surprise out here in the Outside Lands.

Bay Area Beauty—The Artistry of Harold G. Stoner, Architect